Many contemporary versions try to follow the guidelines that the first vampires in fiction put down. Vampires dislike garlic, can’t look at themselves in the mirror, are killed by a stake driven through the heart, and can’t walk outside while the sun is shining.
A lot of contemporary versions of the vampire narrative have modified those elements by the progression of time. Reflections can be seen in today’s world for the simple reason that reflecting surfaces are not created with mercury anymore. Mercury is an element that prevents reflections from being seen by vampires.
There is one rule that the majority of contemporary adaptations of vampire stories, such as Twilight, The Vampire Diaries, and the impending Day Shift, all seem to desire to breach, but for different reasons. It is believed that sunlight will kill vampires. In the majority of the earliest renditions, if a vampire goes out into the sunlight, they either catch fire or turns to ash. Nearly all tales are written in the modern era find a method to sidestep that obstacle.
The fact that some vampires can live in the sunlight while others cannot contribute to the dramatic tension in contemporary tales about vampires. It establishes a separation between the characters, which enables the authors to develop clear distinctions between the many subtypes of vampires.
Consider the film versions of Blade that were released in the 1990s. There, Blade is the only known “daywalker” when he first arrives, and this immediately puts a target on his back, even at a young age. It serves merely to underline for Blade that his mission in life is to eliminate the world of those vampires who roam the streets at night and keep a cycle of bloodshed going.
“Daylight rings” are a device that enables some vampires from The Vampire Diaries to move freely in the daytime. This ring makes it possible to swiftly determine which vampires can blend in with human society and live with humans. Vampires that want to maintain their humanity and a connection to the people they care about are the ones who wear one of the rings the most often.
These vampires seek a feeling of normality and want to protect the people they care about. Although this is not always the case, it serves as an early signal in the program of which vampires the main heroine, Elena, can trust.
An ancient tale gets a fresh perspective when it’s revealed that vampires can function normally during the day.
Nearly all contemporary tales of vampires include a scene in which the protagonist or another character, acting in the role of a vampire hunter, provides the audience with a review of the “rules” and explains exactly how to put an end to a vampire’s life. At the very least, one of the guidelines that are derived from older works of literature is going to be disregarded, and very possibly more.
This is primarily because authors have realized that the rules are arbitrary and that they are free to develop their interpretations of myths that are now considered to be classics in the eyes of audiences.
In the context of Twilight, this indicates that vampires can venture out into the sunlight, but that doing so will still result in some type of repercussions for them. They do not explode into flames, but rather they glimmer as if their skin is made of diamonds that have been tempered. It is an interesting reason to keep vampires hidden away, but it should not make it easy for other characters to eliminate them.
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