After closing his Halloween trilogy with Halloween Ends, David Gordon Green is undertaking a diverse horror masterpiece’s legacy with a new consequence to The Exorcist. This untitled Exorcist movie, usually to be released on October 13, is being planned as the primary installment in a new trilogy.
Similar to his Halloween reboot, Green’s Exorcist film will follow straight from the original classic and retroactively alter some of the franchise’s contentious canon. Leslie Odom, Jr. stars as Tanner, the father of a possessed child, who seeks the direction of a parent who’s been in a like situation: Chris MacNeil, played by a chronic Ellen Burstyn. Green’s new Exorcist has a few key rules to the footer to live up to William Peter Blatty’s innovative novel and William Friedkin’s beloved 1973 movie adaptation.
Green is hoping to have the same success with his revival of The Exorcist franchise that he had with his revitalization of the Halloween franchise. But it’ll be trickier to re-form the horror of The Exorcist than it was to reconstruct the horror of Halloween. With a Halloween film, fans are pleased as long as Michael Myers gruesomely kills some unsuspecting Haddonfield It’s.
Straightforwardness is the key to a great Halloween movie; it’s about the simple terror of a camouflaged maniac picking off a random succession of the dead. But an Exorcist film has to make the audience trust in demonic possession.
When it first hit theaters in 1973, The Exorcist developed an instant cultural phenomenon. Its enormous critical and commercial success – not to indicate its timelessness and staying influence over the past half a century – helped to legitimize the horror genre. Sideways with Rosemary’s Baby and Don’t Look Now, were one of the first prestige horrors flicks to come out of Hollywood.
During The Exorcist’s blockbuster run, the press was occupied with urban legends about movie theaters handing out vomit bags at showings and addressees being so horrified by the film that they had to be institutionalized. Addressees had never seen the Devil depicted in such a horrifically realistic way. The new movie needs to recapture that shock besides surprise.
Why Halloween 2018 Worked
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What ended the Halloween reboot so much more successful than the normal horror reboot is that Green had a real admiration for the Halloween franchise and committed to contemporizing its lore. 2018’s Halloween carried Michael into the modern day. Today’s teenagers dismissed the popularity of the series canon as far-fetched fake news besides Michael murdered a pair of true-crime podcasters hoping to exploit his killing sprees for clicks.
The new Halloween traveled the long-term psychological effects that the trauma of Michael’s mass homicide had on Laurie Strode after four decades and introduced her daughter and granddaughter, who are corresponding as badass.
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